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What’s in the music we create? When we say it lives – when we say it breathes – when, for one fleeting moment it seems to bridge the gap between one soul and another – what kind of existence does it assume? What does it feel? What does it think? What does it want? Such questions may reside in theory for most, but not for piano virtuoso Alexei Georg in Paula Cappa’s Greylock.
Hot off the release of what will surely be his magnum opus, October, Alexei has achieved the level of success found only in his wildest dreams. Hailing from a Russian family steeped in musical artistry, he has transcended all those before him and become something they never could: a legend. And that’s all thanks to October.
There’s only one problem: he didn’t compose it.
And that would have been fine for him, taking credit for pages found in an antique chest belonging to one of his ancestors, if it weren’t for the demons it conjured every time he plays those chords. If it weren’t for the shadowy figure haunting him, punishing him, coming for him. October may have surfaced through the Georg bloodline, but there is something far more sinister and mysterious hidden in each note that is threatening to break free from Alexei’s control.
Alexei wants nothing more than to move on, but the past will not let him. Add to his troubles the threat of fraud exposure from those he’s closest to and a string of grisly murders within the Boston music community that brings the police knocking on his door, he can only come to realize just how much October is at the center of it all. He’ll have to confront three generations worth of Georg family demons to overcome this evil before it claims everything he has and hopes to achieve.
Using music as a central motif and life force to drive the narrative, Paula Cappa defies the limitations of the written word and adds a new dimension in storytelling through the personification of music. The descriptions being so richly layered and animated, one might just imagine these nightmares dwelling in the punctuation, awaiting their chance to come alive themselves.
With just enough integral characters in place to create conflict, Cappa creates a compelling mystery that allows the reader to virtually hear the machinations of the plot grind away before they inevitably crank up to a satisfying crescendo.
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