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In the unique and compelling voice of an aging woman teetering on the edge of financial ruin, Maggie St. Claire’s debut novel, Martha, takes the reader from affluent residential areas of Los Angeles to its urban streets of despair, shadowing a 71-year-old, retired bank teller as she comes to grips with the challenges and adversities that threaten her existence.
This is the story of Martha Moore, many years divorced, estranged from her only child, and living a lie, as she enters her golden years. The most important things in her life, outside her pride in her desirable Hancock Park bungalow, are her book club friends. She attends their meetings dressed in her finest, projecting what she hopes is the image of a well-educated, well-to-do, Los Angeles dowager. The three wealthy women who comprise the remainder of the group are her best, perhaps only friends, and sometimes that’s a stretch.
In reality, anxiety and fear permeate her psyche as Martha struggles with uncertainty, failing health, food insecurity, and dwindling finances. Impoverished and alone, she is learning to live by her wits, filching food from many sources and raising money in unorthodox ways.
Martha’s handbag is filled with things from the kitchen that will never be missed when she leaves book club meetings and after times she volunteers at her church—she helps with the food bank and clothing donations, earning stars in her crown. She’s the sweet little old lady schmoozing her way to the buffet at local weddings and/or funerals, or the seasoned businesswoman whose nametag has been misplaced at conventions and rallies—a chameleon in sheep’s clothing, one might say.
Such events are her food sources. Of course, they don’t pay the overdue bills or the taxes. She worries how long it will be before she loses her home.
Then, seemingly, the planets align.
After finding her friend’s large emerald and diamond ring on the bathroom counter at a book club meeting, Martha sticks it in her pocket, intending to return it. Later, at home, she finds it still in her pocket. She had intended to return it—hadn’t she? Conflicted, she vacillates between fears of losing face or being thought of as a thief, and the urge to keep the ring until she can sell it and raise some badly needed cash. When she decides, the die is cast. She’ll sell the ring somewhere in one of the many jewelry venues abounding in the city.
Because she doesn’t dare, doesn’t know-how, and fears being found out, it was a fruitless decision until an indigent, young woman with her own problems enters Martha’s life. Then, everything changes …
Throughout the story, the direction of Martha’s life has been dictated by both changing circumstances and the choices they engendered. Ultimately, she must make a choice that will permanently change the rest of her life.
While the reader may “bump” out of the story by grammatical and formatting errors, they are drawn back in by the author’s complex characters, vivid imagery, and authentic dialogue and setting. In Martha, Maggie St. Claire has deftly chronicled troubling social issues that often go unnoticed in today’s world, within the context of one woman’s life.
More than just a good read, Martha is a relevant, provocative, and memorable story that lingers long after the book is closed.
Martha won First in Category in the CIBA 2019 Somerset Awards for Literary fiction.
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