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Appreciating International Women’s Day and looking at Women’s Fiction
The theme for 2021’s international Women’s Day is Choose to Challenge. We thought an excellent challenge to offer to our wonderful Chanticleerians would be to read more women’s fiction. To read more about International Women’s Day, click here. To jump into it though, we first want to define the genre.
While one might the that the Chatelaine Awards would be the location of Women’s Fiction, especially with the image of Jane Morris being used when her story could be written as an excellent example of women’s fiction. If you’re interested in entering the Chatelaine Awards you can click here, and if you want to read more about our most recent Spotlight for the Awards, click here.
Jane Morris’ life is often said to be the inspiration for Eliza Doolittle in George Bernard Shaw’s My Fair Lady. Morris trained herself into being a lady, learning French and Italian while reading anything she could get her hands on. She was a renowned embroiderer, even running an embroidery company that did quite well. She was also the muse of pre-Raphaelite artist Dante Rossetti (the model for our Rossetti Awards). By the end of her life, she even managed to purchase the home she lived in so that her daughters would have an inheritance to support them after her death.
Audrey Hepburn as Eliza Doolittle
While Morris could be a great subject for a book of women’s fiction, her story is often peppered with romantic narratives, even in fictional retellings like My Fair Lady. It’s true that her husband and Rossetti all rented an apartment together, which allowed for Morris and Rossetti to have an affair while her husband was in Iceland, presumably with her husband’s knowledge as the painter and the subject were considered an open secret, though it seems a painful one for William Morris.
Surrounded by so much romance and intrigue, we couldn’t help but have Jane Morris’ portrait by her lover be the representation of the Chatelaine Awards, which leads us to the use of William Somerset Maugham as the representative of the Somerset Awards.
The Somerset Awards focuses on:
- Contemporary Theme
- Adventure/Suspense
- Literary
- Women’s Fiction + Family Themes
- Satire/Allegorical
- Magic Realism
- Action/Adventure
- Connections
- Social/Psychological Themes
To read more or to enter the Somerset Awards, click here.
Of course, here we want to focus on the women’s fiction portion of that, though there is overlap. Somerset’s first novel that won him critical acclaim was Liza of Lambeth, (1897) which propelled him to become one of the highest paid authors of the turn of the century. He was inspired to write this novel while he was working as an obstetric clerk and medical student at a hospital in a working-class district of London. Somerset is known for his “shrewd understanding of human nature. Britannica
In the novel, Liza, like many women in novels of this era, has her life dictated by the men who surround her, unable to break free of the desires and expectations that surround her, ultimately leading to her death. This examination of consent and the harmfulness of denying women agency can be seen reflected in the urgency of the suffrage movement.
With his story of Liza, Somerset focuses on the hardships women face, especially concerning domestic violence and abuse. He highlights the lack of consequences men face for treating women like animals, and the ways in which people ignore clear signs of abuse as something that isn’t their problem or maybe even deserved. The novel Somerset writes is a critique of the time in which he lives, but is it women’s fiction?
Almost there…
Probably not by today’s standard.
Women’s fiction is difficult to define. Generally, we think Amy Sue Nathan did a good job in this article here, but our take is a little more personal. First, we do think that for a book to be considered in the genre of women’s fiction, it obviously has to focus on women. The next point is that the plot progresses alongside the narrator’s self, whether that be self-discovery, self-preservation, or even perhaps self-destruction (though storylines with a negative outcome can be difficult to fit into this genre).
Since Somerset’s telling of Liza’s story focuses on the ways in which she is denied agency rather than the ways in which she can focus on the self
The struggle with whether or not a book is women’s fiction resolves around the fact that the protagonist must be the one who, as Nathan says, “saves herself.”
The driving force of women’s fiction is the motivation of the main character to get herself from point A to point B to point C, learning and changing and growing and making mistakes along the way. What makes a women’s fiction main character tick is the methods by which she learns and changes and grows and makes mistakes. – Amy Sue Nathan
Even a little growth
Since the focus of women’s fiction is often growth, unhappy endings don’t always necessarily fit. Of course, endings that aren’t unhappy won’t automatically be happy, and women’s fiction often ends up with a complex ending that leaves the reader thoughtful and reflective on their own growth as they read along with the main character.
Of course a book that is considered women’s fiction can have many other themes, and could even fit into other Chanticleer International Book Awards (CIBAs) beyond the Somerset Awards. You can see the different genres in the books below:
HARD CIDER by Barbara Stark-Nemon
Women’s Literature, Literary, Women’s Fiction
Grand Prize Winner in Somerset Awards (2018)
Abbie Rose Stone is a woman determined to follow her newly discovered dream of producing her own craft hard apple cider while navigating the ups and downs of family life with her grown sons and husband.
Abbie Rose knows how to deal with adversity, and dives headfirst into this new chapter of her life with energy and passion. She describes her early adulthood years of infertility struggles and the hardscrabble way she built her young family through invasive medical procedures, a surrogate attempt, and adoption barriers.
FROM LIBERTY to MAGNOLIA: In SEARCH of the AMERICAN DREAM by Janice Ellis, Ph.D.
Black History, Discrimination & Racism, Memoir, Non-Fiction
Grand Prize Winner in Journey Awards (2019)
As a black woman on a cotton farm in Mississippi in the 1960s, Janice Ellis could have resigned herself to a life full of status quo: never speaking up for herself, never speaking out against injustice or racism. Instead, she never let unsettling times define her or hold her back, even as a witness to some of the ugliest racial violence this country has seen. In her candid and thought-provoking memoir, From Liberty to Magnolia: In Search of the American Dream, Ellis vividly depicts her life in the South during the height of the Civil Rights and Women’s Rights movements.
Through fluid and skillful writing, Ellis recounts the battles she encountered due to her skin color or due to her gender: an abusive husband, discouragement to further her education, sexual and racial discrimination in the workplace, a lack of support from friends and family when she runs for election. Despite these mounting obstacles, she goes on to earn her Ph.D., lands leadership roles and furthers her career, and even runs for mayor in a major US city. Her faith in God and her unwavering belief that the American Dream should be accessible and attainable to everyone are what lead her.
WE DID WHAT WE COULD by Nancy H. Wynen
Historical Fiction, WWII Women’s Fiction, Literary Fiction
Nancy Wynen’s We Did What We Could is a well-conceived, smart, character-driven novel set across a grand European landscape. Here a formidable trio of young women groomed for mere social status demonstrates their strength, endurance, and courage as they move beyond the walls of academia to experience careers. The three must also deal with relationships, family expectations, and life issues amidst the often devastating and upending climate of war.
Lady Archer is a widow from the Great War. As Assistant Head Mistress at St. Martin’s School, she feels girls should receive solid educations and prepare for real professions. With her high level of social ties, Archer looks for “future perfect leaders” within each new graduating class, possessing ideal traits of intelligence and creativity. In May of 1936, Archer sets her sights on three such proteges whose memorable antics foretell their potential for more significant life accomplishments.
The SHAPE of the ATMOSPHERE by Jessica Dainty
Literary, Psychology, Women’s Fiction
Jessica Dainty’s, The Shape of the Atmosphere is remarkable for its startling realism, its gritty young heroine, and its hopeful conclusion.
When Gertie’s father and sister are killed in an accident on Gertie’s sixteenth birthday in 1957, she is left with one cherished memory: viewing the heavens with her father on the night of the world-changing Sputnik flight.
After the funerals, Gertie wounds herself as a way of coping with her inner anguish, after which her alcohol-addicted mother commits her to an insane asylum. Such institutions were considered modern and scientifically advanced for their time, but as author Jessica Dainty frankly depicts, Gertie’s new home is a combination prison and torture chamber. The naïve but intelligent girl soon becomes acquainted with such therapies as immersion in icy cold water and electroshock (both designed to calm the inmates), as she gradually gets to know her fellow patients, the women on Ward 2.
DISOWNED – The RED-HEELED REBELS Series Novel One by Tikiri
Women’s Adventure, Thriller/Suspense, International Crime
Spanning three continents and taking on crucial issues of child marriage and human trafficking, Disowned features a brave teen heroine struggling against international criminality with nothing but her wits and grit.
Asha, born in Tanzania, is still a child when her parents are tragically killed while on a family safari in Kenya. Within a short period of time she is transported to Goa, India, to live with relatives she has never met. Her grandmother is an angry, culture-bound crone, her aunt and cousin living, as Asha now must, under the old woman’s seemingly heartless sway.
PECCADILLO at the PALACE: An Annie Oakley Mystery by Kari Bovée
Historical Thrillers, Women’s Historical Fiction, Biographical Fiction
Grand Prize Winner in Goethe Awards (2019)
Kari Boveé’s Peccadillo at the Palace, the second book in the Annie Oakley Mystery series, is a historical, mystery thriller extraordinaire. Fans of both genres will thrill at Boveé’s complex plot that keeps us guessing from its action-packed beginning to the satisfying reveal at the end.
The book opens with the Honorable Colonel Buffalo Bill Cody’s Wild West Show to England on a voyage to perform for Queen Victoria. They are not on the high seas long, when Annie’s beloved horse, Buck, jumps overboard. Her husband and the Queen’s loyal servant, Mr. Bhakta, jump in to save the horse, or was Mr. Bhakta already dead before he reached the water? Thus, begins the mystery of who killed Mr. Bhakta, leaving all to wonder, is the Queen safe?
We appreciate you spending time with us in celebration of International Women’s Day!
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