UP NORTH by Abena Sankofa – The Great Migration Historical Fiction, Black Historical Fiction, African American Historical Fiction

One young Black woman turns detective when she realizes her family is in jeopardy in Abena Sankofa’s debut novel, Up North.

Teenage songbird Phyllis Joiner dreamed of one day seeing the glamorous North. But when her Uncle has been apprehended for an alleged crime, her wish may be about to be granted in the most distressing manner, beginning in 1933.

Phyllis Joiner always managed to get in trouble in one form or other. But she has no idea what ‘trouble’ will look like. Nineteen-year-old Phyllis is well-known for her spirited singing and piano playing in her Pa’s joint – “Daddy Joiner’s” local Music Club in Colchester County, Louisiana. But the Joiners live in a county where black schools do not go beyond the middle grade, and white supremacy rules the land.

Problems multiply when Phyllis’ Uncle, Zachariah, has been apprehended for an alleged crime.

His accuser, the notoriously ruthless landowner Smith Owens, isn’t interested in justice, but something else entirely. He has a reputation for getting all who cross him jailed and worked to death on his land.

In a rare twist of fate for the Joiners, an African-American family in the Jim Crow South, they take their case to the court and win, but it turns out to be a Pyrrhic victory when a chilling threat letter arrives in the mail, warning them to pay $250 or “Get what’s coming to you on the Full Moon.”  The tattered note is signed in none other than Smith Owens’ hand.  Now even their congenial white neighbors do not want to be seen speaking to her family after they have been “marked” for retaliation by the Owens’ minions.

Phyllis’ Pa, who had already lived through voting riots when he was a boy, fears that a new riot will be around the corner if he doesn’t take appropriate action. And the situation with Phyllis’s education heading nowhere also bothers him, so Pa makes up his mind that the time has come for the Joiners and their extended families to sneak out of Colchester County. They plan to leave “by the light of the full moon” (which happens to be the end of the “death threat” letter’s grace period) to Chicago, where Ma Joiner’s sister, Ruth, lives.

The timing must coincide perfectly, especially since Pa could only procure train tickets to take them as far as St. Louis.

The family would need “agents” who could safely guide them to their destination. The Phantom Menace would be their last contact, getting them into the Black Belt of Chicago. Little do the Joiners know what harrowing adventures await them along the way, and even more once they get to Chicago. Although positive events occur, like Phyllis attending nursing school, and falling for a handsome Fairground officer, no amount of fitting in with the ways of the big city can protect her for long from her family’s hunted status.

When Smith Owens and his adult sons arrive in Chicago, he makes a deadly pact with one of the Windy City’s most terrible crime syndicates in a bid to hunt down the Joiner family for the location of a mysterious treasure he believes them to have inherited.

Now it falls to teenage Phyllis Joiner to turn sleuth, and track them down before they find her family – a goal that tosses her into the gritty reality of what it means to live “Up North” in the Windy City. It’s a reality that will force her to cast aside her lofty expectations, and become the Captain of her own fate, and her family’s protector in the process.

Enter Willard Lancaster, the Joiner family’s red-headed lawyer, a rebellious, street-smart scion attracted to any dangerous pursuit for a worthy cause. A throwback to his Abolitionist predecessor, he throws in his lot with Phyllis Joiner on her way to defend her family, only to find himself in the crosshairs of his own uncle’s wrath.

Rising author Abena Sankofa pens a fascinating story of one young Black woman’s “underground” journey from Louisiana to Chicago and ultimate sleuthing to protect her family from bounty hunters.

Sankofa provides a small but realistic cast set within the precarious years of The Great Migration. Her writing style varies from light to downright nail-biting. Phyllis (Sankofa’s heroine) performs in her father’s music clubs, faces harassment at nursing school, and falls in love – all amid several life-threatening situations.

Sankofa punctuates her fictional plot with factual information. Examples include a mix-and-match of Chicago’s expositions, maps that outline the Black Belt area of Chicago, and “patrons” (guardians, so to speak) to keep watch over Black neighbors. Even though the Black quarter of the city is a safe haven for her, at the all-Black Nursing School which she makes it into, Phyllis faces pressure from classist schoolmates. One particularly striking aspect is the generational viewpoints of Black history. Phyllis’s grandmother tells of the symbolism behind quilt making. Pa recollects sharecropping days and riots over voting rights. Both grandmother and father provide essential nuances of what Phyllis’s ancestors endured on the way to their freedom – all of which Phyllis should never forget even as she races to uncover the location of a rumored family inheritance worth millions.

Sankofa’s approach to storytelling preserves truth.

As she produces a story of perseverance and strength amid a burgeoning romance, she includes music from the gilded Jazz Age and classics that appropriately enhance her narrative. Some favorites include W. C. Handy‘s “When the Saints Go Marching In” and “St. Louis Blues,” and George and Ira Gershwin‘s “I’ve Got Rhythm,” Benny Goodman and his Orchestra‘s “Sing, Sing, Sing (With a Swing),” and Ella Fitzgerald‘s “They Can’t Take That Away from Me,” to name a few.

Up North will touch a nerve and claim a place in today’s world. In short, Abena Sankofa’s debut novel is nothing short of brilliant and a novel we can highly recommend.

**Please Note: This author is currently seeking representation. Follow the process on Sankofa’s website by clicking here.