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Debut author Nove Meyers breathes life into the big tent of human aspirations and desperations, from his birth into a raucous circus atmosphere to his diligent study for Catholic priesthood.
Running Away from the Circus is a vibrant chronicle that opens with a vignette of his grandmother, clad in sequins and flying on a trapeze. She spun like a top to enthusiastic applause under the circus tent, until the fateful day when she included her young child in the act, dropping her thirty feet to the sawdust-covered floor below. But this did not prevent Nove Meyers from being born and having a story to tell.
The boyhood described was as wild as the circus acts. He was encouraged to smoke cigarettes like his father and watched in astonishment as his mother burned up paper money, possibly to protect his uncle, a counterfeiter. Yet despite his unusual upbringing as one of the family’s third generation of circus owners, Meyers was taken regularly to Catholic church services. There, he discovered God, an entity as mysterious as the traveling circus and carnie crowds he was raised among.
While tending to an elephant in the backyard and working alongside tightrope walkers and a “human cannonball,” Meyers was signing on as an altar boy and making his first confession.
At age eight he became determined to become a priest, but there were obstacles. When he took a summer job as a carnie, he discovered he would have to work on the Sabbath. He struggled to convince himself that God would understand. Even these early experiences foreshadowed the life that would slowly chip away at the spiritual armor he tried to don. And there were girls. To become a priest he would have to take a vow of celibacy, perhaps the largest barrier he faced.
In college, after enjoying the companionship of a young woman, he confronted a priest about the celibacy issue, suggesting that celibacy was merely a church-based control mechanism. Advised by the priest to pray, the young Nove lay in bed and talked at length to God, promising to try his best to become a worthy priest, but also asserting that if he met the right girl, he would love and marry her. He wraps up saying, “I hope You’ll understand. Thanks for listening.”
Meyers demonstrates a clear gift for wordsmithing and a flair for storytelling that expertly handles the quick changes and maneuvers he experienced in the parallel worlds of the church and life under the “Big Top.”
Based on the paradox he faced from an early age between religious requirements and human behaviors, he creates an enthralling tale, kept buoyant with wry humor and fascinating behind-the-scenes depictions of circus and carnival life that may startle those unfamiliar with it as it charms those who have shared his experiences.
The choices Meyers made in his progression between the often-enjoyable chaos of the Big Top to the quiet comfort of the religious sanctuary of the church are remarkable, not only for his lively examination of them but for his rational yet spiritually grounded conclusions. Meyers’ dynamic, frank, and amusing saga will have his readers hoping for a second encore to this captivating life.
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