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—Readers Want to Spend Time Immersed in Other Permeable Realities
Add Fuel to Your Characters’ Fires
Always know the forces that shaped your main characters. And then give them inner demons to overcome, such as intense abandonment fears, or a lie they’ve been telling themselves. While many stories are fueled chiefly by external conflict, when internal conflicts are staged alongside external conflict mucking up things, the whole story gets more realistic and deeper.
Top-ranking fictional characters need to be uncomfortable most of the time. Better yet, miserable. Now, of course, your story can’t be a waterfall of tears and teeth-gnashing angst in every scene. That could lead to melodrama. But varying levels of misery should be trickling through causing tension, conflict, and uncertainty. And characters can be rattled, twitchy, discombobulated, awkward, uneasy, troubled and disturbed.
Tips and Tricks for Shaping Your Protagonists
One trick to increase tension is to keep track of the number of your scenes, then track how many feature your protagonist in some kind of discomfort. Aim for high percentages. Make your protagonist worry and fear the worst.
Misery can be writ large–he loves me; he loves me not. It can happen in high-stakes battles or life and death circumstances, royal rivalries, ugly divorces, or the murder of a loved one. Your character can be lonely, unloved, and unappreciated. And whenever possible, in over his or her head.
Years ago I studied psychology and sociology in college because I was planning to go into law and I wanted to understand why people turned out the way they did. It took a few years to realize that I needed to return to my first love, stories, poetry, and all things writing. But in one sociology class an instructor mentioned it’s likely that at least one out of three people won’t like you. This insight, true or not, stuck with me.
Growing up and feeling pretty insecure much of the time, I wanted people to like me and was easily hurt when they didn’t. With age that’s diminished, but of course, it’s not fun if someone dislikes you for no good reason, or a perceived hurt that didn’t happen, or for the many reasons humans just don’t get along.
In fiction, this is magnified to create conflict, pain, and troubles. ~ Jessica Morrell
Amplify
A few more tips.
Small miseries amplify larger ones. Protagonists cannot always be in top form, primed for the next challenge. Sap their strength, will, confidence, and resources thus creating more uncertainty. Shape obstacles that wear down and weaken characters.
Create insecurity–immigrants struggling to survive in their new country, business owners striving against impossible odds, a farm family trying to endure during years of drought, an unstable and volatile home life, grinding poverty that seems inescapable. Often these stories will showcase the protagonist’s main personality traits and growth.
Stir in emotional hardships. These typically come from your character’s connective tissue to his or her past. If your main characters don’t have baggage, they’re flat. Typically, your character’s fears or weaknesses will stem from trauma, failure, or a troubled or difficult past. And whatever the baggage, it must be relatable.
A few more ideas for your stories:
Create situational troubles. Coming-of-age stories generally focus on the main character’s emotional growth, typically moving into adulthood. However, growth is never easy, and the character is often forced into challenges beyond his or her maturity levels. And the lessons learned will always be hard, harsh, or scary. The Finch siblings in To Kill a Mockingbird are a good example of this.
Adult characters can be coping with bitchy, hormonal teenagers going through a bad phase, demanding, uncaring bosses, impossible deadlines, a bad news relative showing up on your protagonist’s doorstep looking for a place to crash—with a grimy, pathetic-looking toddler and an aggressive dog.
Classic Plot Devices
Classic plot devices can be the perfect setup for this. An example is a character moving into a new place–the new kid in school {Harry Potter and the Sorcerer’s Stone}, or the newly hired personal assistant {The Devil Wears Prada}, boss, police chief {Robert Parker’s Jesse Stone series} or sheriff.
Offred (known as June before she was captured trying to escape into Canada) in The Handmaid’s Tale by Margaret Atwood
Women are to be silent and are not allowed to read or be taught to read or write (only the Aunts are taught but only to keep control over the handmaids.)
Even the “blue Gilead wives” are not allowed to read or write.
Same for the ‘fish out of water’ scenario–the device the Back to the Future franchise exploited as Marty McFly moves around in time. So-called ‘fishes’ don’t know the rules or standards or the pecking order in the new environment. And definitely poor Arthur Dent of The Hitchhiker’s Guide to the Galaxy by Douglas Adams.
Hitchhiker’s Guide to the Galaxy protagonist, the last known Earthling – Arthur Dent
Your story might center around a Florida native taking a district attorney job in Alaska or a small town girl moving to Paris. Your character will always have a lot to prove and master, so naturally he or she can get off on the wrong foot and things can go downhill from there.
Which is where antagonists and secondary characters come into the picture to stir up trouble. It’s pretty simple: fictional characters shouldn’t get along. In fact they should clash. Often. The mayor doesn’t trust the new sheriff, the cop who’s been with the force for ten years and wanted the chief of police job is sabotaging the new guy, and the 911 dispatcher just doesn’t care for him because he’s a dead ringer for a best-forgotten ex. Now, of course, protagonists need friends and allies, but if he or she doesn’t have frenemies and backstabbers, lying witnesses, out-for-revenge enemies, and other antagonists you’re overlooking a major source of conflict. The story will flatten and fizzle without these folks.
Can you imagine Harry Potter without Draco Malfoy? Or Lord (He Who Shall Not be Named) Voldemort
Draco Malfoy of the Harry Potter Series – He enjoyed making Harry’s life miserable.
At the same time don’t overlook piling on smaller, everyday, annoying, makes-life-harder miseries. And never overlook the potency of physical hardships to boost tension: Sleepless nights or a shocking homicide case so there’s no time to sleep. Headaches, hangovers, thirst, hunger, sweltering heat waves, freezing temperatures, aching backs, old injuries acting up. Stir in claustrophobia, fear of heights, and never been comfortable in the dark. Pile it on.
And Handy Links on Immersive Writing Craft:
Jessica Page Morrell
Jessica Morrell is a top-tier developmental editor and a contributor to Chanticleer Reviews Media and to the Writer’s Digest magazine. She teaches Master Writing Craft Classes at the Chanticleer Authors Conference that is held annually along with teaching at Chanticleer writing workshops that are held throughout the year.
Keep writing, keep dreaming, have heart. ~ Jessica
Chanticleer Editorial Services – when you are ready
Did you know that Chanticleer offers editorial services? We do and have been doing so since 2011.
Tools of the Editing Trade
Our professional editors are top-notch and are experts in the Chicago Manual of Style. They have and are working for the top publishing houses (TOR, McMillian, Thomas Mercer, Penguin Random House, Simon Schuster, etc.).
If you would like more information, we invite you to email Kiffer or Sharon at KBrown@ChantiReviews.com or SAnderson@ChantiReviews.com for more information, testimonials, and fees.
We work with a small number of exclusive clients who want to collaborate with our team of top-editors on an on-going basis. Contact us today!
Chanticleer Editorial Services also offers writing craft sessions and masterclasses. Sign up to find out where, when, and how sessions being held.
A great way to get started is with our manuscript evaluation service. Here are some handy links about this tried and true service: https://www.chantireviews.com/manuscript-reviews/
And we do editorial consultations. for $75. https://www.chantireviews.com/services/Editorial-Services-p85337185
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