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In Nova Garcia’s novel, Not That Kind of Call Girl, Julia Navarro-Nilsson balances a lot heavy responsibilities on her plate. She’s the supervisor of the Cascade City Chronicle call center, has just had her first child, and is dead set on saving her newest employee from a lifetime of abuse.
As a Mexican-American, Julia knows first-hand how difficult life can be for a minority woman, so when Carmen Cooper shows up for a job interview, Julia is determined to hire the young college student even though her story and answers to Julia’s question are sketchy. This reluctance to share her personal information intrigues Julia, but Carmen’s life turns out to be much more challenging than Julia would have ever dreamed.
Sussing out the truth behind the timid young woman’s clearly fictional story, Julia turns detective with the help of her reporter friend, Jerry. The two are dogged in their search and discover a secret so deep that it will rock Hollywood— that is, if she can juggle her new baby, her neglected husband, her sexually harassing boss, and an unending visit from her critical mother.
Julia’s detailed character makes her easy to empathize with, especially as she faces issues that many women confront in the real world.
Her biggest personal struggle is with motherhood. After the birth of Trey, Julia expects to be overwhelmed with her love and devotion to this tiny person. However, when she doesn’t feel those things— feeling almost the opposite actually— she is shocked and disappointed in herself. She has no immediate connection, instead suffering from postpartum depression.
To add to her fears of motherly inadequacy, she endures multiple bouts of mastitis— landing her in the hospital on one occasion— and she finds that maternity leave feels like a prison sentence rather than a chance to bond with Trey. She hates that she is missing work and hates that she hates that! Julia’s muddled feelings leave her frightened and uncertain, far from her sense of self pre-motherhood.
Like many women, Julia has a hard time accepting her body for what it is.
She has never been a petite size four, like her still-attractive mother, who always pressures her to conform to a different standard of beauty. Julia is tall and full-figured, a curvy, sensual woman. Post-birth, she feels “fat” and unattractive. Because she has to continue wearing her maternity pants (another very common experience), Julie feels as though she has failed again in some way. Though her adorable, loving husband Charlie still tells her she is beautiful and shows her that he continues to find her desirable, Julia has a hard time engaging in any physical contact. Her mother’s comments don’t help the situation, and with her confidence in tatters, Julia stress eats, continuing an unhealthy cycle.
Julia takes great pride in her position as call center manager for the local newspaper, but that position comes with near-constant harassment from her boss.
She cares about her employees, knows their problems, and is fighting for their jobs as the newspaper owners negotiate a sale of the business. In fact, it’s this level of concern that leads to her involvement in Carmen’s tragic life. Julia takes her job seriously and maintains high expectations for herself, but at every turn her boss Carlton Cressey epitomizes a villain to all of womankind. He makes jokes about various body parts and propositions Julia directly for sex. Even though she is a hard-working employee, likely his best, he can only see her body and face, so not only is Julia worried about her employees losing their jobs, she is also worried about losing her own if she reports him to HR.
Julia is a strong, normal woman. She’s not a superhero or a rich Country Club wife. She’s real, and many readers will identify with the problems she faces.
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